The scintillating mixed media image pictured above, “29 Pink Brushes,” was fashioned by the self-taught Oregon-based artist Anne Marie Grgich. What follows are several more images of faces in a range of styles and media — created by self-taught artists — as seen in varied settings from galleries to art fairs:

Self-taught Norwegian painter Trude Viken, “Untitled,” Oil on canvas

Manhattan-based Fountain House Gallery self-taught artist Roger Jones

Self-taught Haitian artist Frantz Zephirin, “The 7th Dimension,” 2022, Acrylic on canvas

West Coast-based Niad Art Center artist Arstanda Billy White⁠, “Van Gogh Standing,” 2023⁠, Acrylic, pastel and marker on canvas⁠

The late French American self-taught artist Niki de Saint Phalle, “White Head,” Polyester and paint

Ontario-born, self-taught ceramic artist Susan Day, “The Game,” 2023, Glazed ceramic mirror

Photo credits: 1-3, 5-7 Lois Stavsky; 4 Tara Murray

Featured above in our ongoing series showcasing couples and duos is a drawing — fashioned in 2020 with colored pencil and graphite on paper — by the late West Coast-based Tierra del Sol self-taught artist Helen Rae. Several more images of couples — captured while visiting a range of spaces from studios to galleries and museums — follow:

Also by self-taught artist Helen Rae, “Untitled,” 2017, Colored pencil and graphite on paper

NYC-based neo expressionist artist Alejandro Caiazza, “Bosom Bodies,” 2024, Mixed media collage

Galerie Gugging Austrian self-taught artist Laila Bachtiar, “Mutti mit Cello,” 2016, pencil, colored pencils,

Largely self-taught Japanese artist Akito Nara, “Wedding Day“, 2018, Acrylic and oil pastel on canva

French self-taught artist Aïcha Khorchid, “Lucien et Angele,” Mixed media on wood panel

Photos of artworks by Lois Stavsky

Under the curatorial direction of artist Marine Marchand, Fountain House Gallery members were invited to submit artworks as a tribute to the medium of comic art. The result is “BIFF! BAM! POW!” — a delightfully diverse exhibition celebrating this often underrated graphic genre. The image featured above, “No Law 3,” is the work of self-taught artist Angela Rogers. Several more images of works showcased in this enticing group exhibition — that continues through February 19 — follow:

Self-taught artist Judith Berman, “Detective Dick Tracy,” 2024, Acrylic on canvas

Multidisciplinary artist Michael Kronenberg, “Yoiks,” 2024, Pen and ink, alcohol marker on paper

Multidisciplinary artist Issa Ibrahim, “Birth of Wonder Woman,” 2015, Oil on canvas

Self-taught fiber artist Alyson Vega, “Holy Mental Health Crisis Batman!,” 2024, Fabric and fabric markers

Multimedia artist Rene Santiago, “TMNT,” Mixed media on wood block

Brooklyn-based artist Muhammad Abdullah, “The Last Kiss – Jean into the Sun,” 2024, Acrylic on canvas

Located at 702 Ninth Avenue at 48th Street in Manhattan, Fountain House Gallery is open Tuesday 12 – 6 p.m., Wednesday 12 – 5 p.m., Thursday and Friday 12 – 6 p.m. and Saturday 1 – 7 p.m.

Note: Fountain House Gallery and Studio provides an environment where artists living with mental illness can express their creative visions, exhibit their work, and challenge the stigma that surrounds mental illness.

Photo credits: 1 & 3, Courtesy Fountain House Gallery; 2, 4-7, Lois Stavsky

Cofounded over 40 years ago by psychologist Dr. János Marton, a winner of the Dr. Guislain “Breaking the Chains of Stigma” Award for his “extraordinary efforts and distinctive ability to nurture creativity of individuals living with mental illness and for establishing a groundbreaking and flourishing artistic community within a mental health care setting,” The Living Museum is an oasis of unbridled creativity. Dozens of patients and former patients of Creedmoor Psychiatric Center work there regularly creating art in a wide range of media and styles.

On view through March 2 at Fierman on the Lower East Side is a delightful group exhibition of works by Living Museum artists. The untitled geometric image featured above was fashioned with ink on paper in 2019 by the wondrously inventive John Tursi. Several more images of artworks captured on our recent visit to Fierman follow:

Multidisciplinary artist Frank Boccio, “Untitled,” n.d., Mixed media on board

Trinidad native Nyla Isaac, “Untitled,” 2024, Acrylic on canvas

Rob Chin, “Eurythmics,” 2019, Acrylic on vinyl record

Paula Brooks, “Gathering Together,” 2020, Acrylic on canvas

Fierman is open Wednesday -Sunday 12-6pm and by appointment / [email protected]

Photos of artworks, Lois Stavsky

Established in 2016 by the nonprofit AHRC New York City, ArTech provides opportunities for artists with intellectual and developmental disabilities to further develop their skills and share their work in a variety of settings. This past year ArTech artists from studio locations in the Bronx, Manhattan, and Queens participated in an extended partnership with MoMA’s Access Programs that culminated in My Heart Is on the Left — a delightfully captivating group exhibition featuring a diverse range of works by ArTech artists, along with their personal statements.

The whimsical painting featured above, “Wood Nymph Fairy,” was fashioned by the strikingly expressive Eddie Carella with acrylic on canvas. Several more images of artworks seen on our recent visit to My Heart Is on the Left at MoMA’s Cullman Education Center follow:

Linton Gilchrist, “Self Portrait,” 2024, Acrylic on canvas

Cory Tyler, “Earth Created in 7 Days,” 2024, Acrylic on wood panel

Keenan Foster, “Cottage Core,” 2023, Colored pencil and graphite on paper

Christian Forbes, “Futuristic Underwater City,” 2024, Acrylic and marker on canvas

Frances Riordan, “Circles,” 2024, Mixed media

Gisela Montalvo, “Flower Animal Cat Snails Turtles Rose Rabbits Babies,” 2023 Acrylic on canvas

Located at 4 West 54th Street inside the Museum of Modern Art, Cullman Education Center is open Sunday through Friday from 10:30 to 5:30 and on Saturday until 7:00. Admission to this exhibition is free.

Photos of artworks: Lois Stavsky

Tel Aviv-based identical twin female artists Nil & Karin Romano aka Black Orchids create exquisite, weirdly wonderful artworks as they work side by side, completing each other. Self-taught, they work primarily with acrylic and oil paint on large canvases as they fashion mysteriously mesmerizing scenes.

Currently on view at the Minshar Institute for Art in Tel Aviv is “From the Bottom of My Shapeless Soul.” Featured above is the title painting, “From the Bottom of My Shapeless Soul I’m Smiling Anyway.” Several more images showcased in this exhibition — all fashioned this past year with acrylic on canvas — follow:

I Shed Countless Pearls Over You

Living in a Bubble

And Nonetheless Music Penetrates Your Very Soul

Only After a Storm Can You Feel the Sun

And Forget All About…

Nil & Karin Romano, photographed by Lieb Blekh & Dominic Zimmerman

Curated by Ronit Yedaya, the exhibit will remain on view until Saturday, December 21 at 18 David Hachmi Street in Tel Aviv. Opening hours are: Sunday to Thursday 11 a.m. to 7 p.m. and Saturday 11 a.m. to 2 p.m.

All photos courtesy of the artists

The hugely anticipated annual “Small Works: $100 & Under” continues at Fountain House Gallery through December 21. Showcasing the delightfully diverse aesthetics of the multigenerational Fountain House community, it features dozens of enticing works sized no larger than 6 x 6 inches.

The series of beautifully haunting portraits featured above in mini mantra boxes were fashioned by the wonderfully inventive Madeleine Hope Arthurs. Images of several more artworks on view last week at Fountain House Gallery.

Haitian-born, largely self-taught artist Solange Singer

Calligraffiti-master DubbleX

The wonderfully versatile multidisciplinary artist Mark Dendy

The hugely inventive self-taught artist Roger Jones

Savvy illustrator and photographer Marina Marchand

Located at 702 Ninth Avenue at 48th Street in Manhattan, Fountain House Gallery is open Tuesday 12 – 6 p.m., Wednesday 12 – 5 p.m., Thursday and Friday 12 – 8 p.m. and Saturday 1 – 7 p.m.

Note: Fountain House Gallery and Studio provides an environment where artists living with mental illness can express their creative visions, exhibit their work, and challenge the stigma that surrounds mental illness.

Photos of artworks: 1 & 5 Tara Murray, 2-4 & 6 Lois Stavsky

On view through December 14 at New York’s Americas Society is The Appearance: Art of the Asian Diaspora in Latin America & the Caribbean. Co-curated by Tie Jojima, the former associate curator and manager of Exhibitions at Americas Society in New York, along with São Paulo-based Yudi Rafael, an independent curator and researcher, it is the first NYC exhibition to focus exclusively on the works of artists of the Asian Diaspora who have enriched the visual, political and social cultures of the Americas. Presented in this distinctly engaging exhibition are works in a range of media created by 30 contemporary artists from 15 countries.

The image featured above, “Song of My Soul” was fashioned in 2016 with oil and acrylic on canvas by the 88-year-old Korean artist Kim Yun Shin who is currently based in Buenos Aires, Argentina. “Song of My Soul” is one of a series of her paintings that serve as a visual ode to the natural elements in her life. Several more images on view in The Appearance: Art of the Asian Diaspora in Latin American & the Caribbean follow:

São Paulo-born and based, Sino-Japanese Brazilian multidisciplinary artist Caroline Ricca Lee, from her series “Verter (Pour),” 2022, Ceramic and textiles

The noted Surinamese painter and ceramics artist Soeki Irodikromo, “Untitled,” 1986, Oil on canvas

Indonesian Brazilian artist Dan Lie, “Memory Stick,” 2015, A range of repurposed mixed media

Guyanese American multidisciplinary artist of South Asian descent Suchitra Mattai, “Bloom,” 2022, Assorted repurposed fibers

The late Chinese Brazilian painter Chen Kong Fang evokes the feelings of the disquieting uneasiness often experienced as one navigates more than one culture, particularly when one is faced with prejudice as so many of these artists were, “Untitled,” 1993, Oil on canvas

The Appearance: Art of the Asian Diaspora in Latin America & the Caribbean can be viewed Wed – Fri: 12:00 – 6:00 pm and Sat: 12:00 – 5:00 pm through December 14 at the Americas Society, 680 Park Avenue at 68th Street on Manhattan’s Upper East Side.

As Australian Aboriginal artists invigorated and renewed ancient traditions, many embraced abstract forms and patterns to represent elements of their culture. The image featured above, “Rockholes Near the Olgas X” was painted with acrylic on linen by the late Bill “Whiskey” Tjapaltjarri, a Pitjantjatjara artist from Central Australia who began painting on canvas at age 85. Several more images of artworks currently on view in Approaching Abstraction: Contemporary Aboriginal Art from Across Australia at the Asia Society follow:

Western Desert Pintupi painter Yinarupa Nangala, “Untitled,” 2008, Synthetic polymer paint on linen

The late Pitjantjatjara artist Carlene West, “Tjitjiti,” 2015, Synthetic polymer paint on linen

The late cutting-edge Anmatyerr artist Emily Kam Kngwarray, “Untitled (Alhalker),” 1993, Synthetic polymer paint on linen

Also by the late cutting-edge Anmatyerr artist Emily Kam Kngwarray, “Kam Yam Awelye.” 1996, Synthetic polymer paint on linen

Melbourne native Reko Rennie, “Camoufluer 6,” 2019, Acrylic, flashe and pigment on linen

Located at 725 Park Avenue at 70th Street, the Asia Society is open Tuesday through Sunday, 11a.m. to 5 p.m. with free museum admission to the museum on Fridays. 

Along with the monumental exhibition, Maḏayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, Approaching Abstraction: Contemporary Aboriginal Art from Across Australia remains on view through January 5, 2025

Photographs by Tara Murray and Lois Stavsky