On view through May 10 at Fountain House Gallery is Compulsive Genius. Curated by Suzanne Lemakis and Fountain House Studio Director Karen Gormandy, it presents a delightfully diverse array of artworks by several Fountain House Studio resident artists.

Featured above is Love for Homes — recently created with mixed media by the ever-intriguing, self-taught artist Roger Jones. What follows is a small sampling of other artworks currently on view at Fountain House Gallery:

The distinctly versatile painter Gary Peabody, “MD 5322,” 2022, Acrylic on canvas

Parisian fashion designer and self-taught studio artist Christine Albane, “Feerique,” 2022, Mixed media

The wonderfully expressive Anthony Newton, “Hope,” 2022, Acrylic on canvas

The hugely inventive, self-taught multidisciplinary artist, Angela Rogers, Mesmerizing installation of newly-crafted mixed-media works

The self-taught, ever-alluring fiber artist Alyson Vega, “Pier Long View,” 2023, Mixed media

The remarkably skilled Bronx-born artist Miguel Colón, “Stand Up,” 2019, Acrylic on canvas, along with three studies for the work

Located at 702 Ninth Avenue at 48th Street in Manhattan, Fountain House Gallery is open Tuesday – Saturday from 12pm to 6pm.

Note: Fountain House Gallery and Studio provides an environment where artists living with mental illness can express their creative visions, exhibit their work, and challenge the stigma that surrounds mental illness.

Post and photos by Lois Stavsky with City-As-School intern Antonio Gomez

A popular subject among many artists, “the animal kingdom” is particularly embraced by those who are self-taught. The image featured above, Angora Cat, was rendered by the late Polish-American artist Morris Hirshfield in the late 1930’s after he had retired as a women’s tailor and footwear manufacturer. Several more images of self-taught artists’ renditions of animals — as seen in a range of diverse settings — follow:

The late African-American, Alabama-native Bill Traylor, “Untitled,” ca. 1939-42, Opaque watercolor and graphite on beige card — as seen earlier this year at SAAM in DC

The late Georgian artist Niko Pirosmani, “Roebuck and Landscape,” Oil on cardboard — as seen back in 2018 at the Albertina Museum in Vienna

Finnish artist Raija Nokkala, “Watching and Worrying,” 2018, Acrylic on canvas — as seen last month at GINA Gallery of International Naïve Art in Tel Aviv

Honduran artist German Ramon Duron, “The Calling (Noah’s Ark),” 2017-19, Oil on canvas, as seen last year at GINA Gallery of International Naïve Art in Tel Aviv

Photos of images: Lois Stavsky

On view through March 26 at the National Gallery of Art in Washington DC is “Called to Create: Black Artists of the American South.” Featuring dozens of works in a range of styles and repurposed media by Southern Black artists — whose lives were rife with racism and poverty — the exhibition is a testament to their creative spirit and sheer inventiveness.

Conceived by the late Memphis, Tennessee native Joe Light, the image featured above, “Bird Trainer,” was fashioned in 1987 with oil-based enamel and spray paints on found wood paneling. Several more images I captured while visiting the exhibition last month follow:

The late Alabama-born quilter Sue Willie Seltzer, “Columns of Blocks,” 2003, Cotton

The late Georgia native Nellie Mae Rowe, “Judith Wearing A Party Dress,” 1978, marker, ballpoint pen, and graphite on paper

The late Miami native Purvis Young, “Family,” c. 1980, Paint on cardboard

The late Alabama native Thornton Dial, “Clothes Factory,” 1995, Mattress frame, rope, carpet, fabric, plastic, enamel, spray paint, industrial sealing compound on canvas mounted on wood

The late Alabama native Mose Tolliver, “Self-Portrait of Me,” Undated, House paint on wood panel

Located in the National Gallery of Art’s East Building, “Called to Create: Black Artists of the American South” can be viewed daily from 10:00 a.m. to 5:00 p.m. Admission is free.

Photos of artworks: Lois Stavsky

Williamsburg-based artist Alexis Fagan identifies herself/themselves as neurodiverse and disabled. “Power structures know me as an alphabet soup of conditions,” states the artist. ART BreakOUT co-founder Bonnie Astor met Alexis at a meet-up at Summertime Gallery this past fall. Recently, Bonnie and I had the opportunity to interview the young artist.

What is your earliest art memory?

When I was very young, I remember opening up a book and seeing Picasso’s painting “Guernica.”  I immediately felt understood.

That’s amazing! When did you first begin creating art?

I was a toddler when I learned how to pick up a pencil to draw some of my favorite comic characters — Plastic Man, The Thing, The Incredible Hulk and The Transformers.

Have you any favorite artists?

Among my favorites are the American interdisciplinary artists Park McArthur and Gary Baseman.

What are some of your cultural influences?

Black and white movies starring Buster Keaton and Charlie Chaplin. And my Ukranian heritage. My family members are all survivors.

Is there a central theme that ties your work together?

I aim to break down boundaries.

How has your artwork evolved in the past few years?

It used to be more representational. It is emerging into a synthesis of my multiple knowledges and techniques.

Are you generally satisfied with your work?

Never!

What is your favorite piece that you’ve created? 

“Now Everything Is Ruined” (Ed. note: image featured above)

How long do you usually spend on a piece?

Anywhere from 30 minutes to a week.

What percentage of your time is devoted to art? 

I couldn’t say, because everything I do is connected to art.

What are some of your other interests?

Physics, mathematics, writing, animation, philosophy and street art.

Have you exhibited your work

Not yet!

Is it important to you that others like your work?

It’s not that important!

What are your favorite media to work with?

I enjoy working in just about all media — oil, acrylic, watercolor, tempera, pastels, inks, graphite, charcoal, sculpture, animation and writing.

How does your family feel about what you do?

My mom is encouraging. When I was growing up, she always took me to galleries.

Have you a formal art education?

I earned a BFA in Illustration from Parsons.

Where are you headed?

I’d like to get back to sharing my art on the streets. And in five years, I’d like my work to be seen in MoMA, my favorite museum.

What do you see as your role as an artist in society?

To bring to the forefront such issues as the challenges posed by disability and injustice. To maximize choice and minimize suffering.

Interview conducted by Lois Stavsky and Bonnie Astor and edited for clarity and brevity by Lois Stavsky; all images, courtesy of the artist

The following post is by student/intern Samantha Sabatino

On view through March 8 at Fountain House Gallery is “MUSHROOMS,” an intriguing exhibition showcasing art in a range of media featuring fungi and their role in nature, culture, and medicine. After visiting the exhibition last week, I had the opportunity to speak to its curator, vermilion. What follows are several images from the exhibition, along with vermilion’s responses to my questions:

What inspired you to curate an exhibit on the theme of “mushrooms?” The exhibition seems to cover just about everything related to them — from cultivating culinary mushrooms to experiencing the effects of psychedelic mushrooms.

My inspiration is rooted in my deep interest in the benefits of mushrooms. I want to increase awareness among others as to their medicinal and healing properties.

Yes! I, myself, have personally benefited from mushrooms’ medicinal and health benefits. Did you face any particular challenges in seeing this exhibition through?

The entire curation of the exhibit was mostly joyful. The artists were very cooperative. I loved the variety of the artworks that were submitted.

What do you want your viewers to walk away with?

I want them to walk away with a positive visual and emotional experience, and I want to arouse within them a deep curiosity and interest in the subject matter.

Can you tell us something about the opening reception?

It was lovely! There was a strong sense of community. I felt humbled by the response the show received. People were so supportive. I, also, had many meaningful conversations with like-minded people. And I loved putting together my costume and dressing up as a mushroom.

Have you any personal goals related to the exhibition?

I’d like it to engage even more people. It would be wonderful it could become a mobile pop-up exhibition. It has already been invited to London by SHARP Gallery and to another location in NYC by Psychedlic Access Fund. And I hope that guided healing becomes available to those in need, such as myself.

Good luck with it all! It’s so fascinating and worthwhile.

Can you tell us something about upcoming programs and activities related to the exhibition?

Specific information regarding the events can be found here. They include:

• Live Storytelling Performances, Tuesday, Feb 21, 6:30 – 8PM
• Mushroom Walk with the New York Mycological Society, Saturday, Feb 25, 2 – 4PM
• Mushroom Growing Workshop, Tuesday, Feb 28, 2 – 3:30PM
• Lecture: Questions for the Psychedelic Renaissance w/ Dr. David Hellerstein, Thursday, March 2, 7-8:30 PM
• Closing Costume Party, Wed, Mar 8, 6 – 8PM

Located at 702 Ninth Avenue at 48th Street in Manhattan, Fountain House Gallery is open Tuesday – Saturday from 12pm to 6pm.

Featured images:

Roger Jones, “Love Is Love,” 2022, Acrylic and marker, 30 x 40 inches

Corey Streeter, “Ruins of the End,” 2022, Acrylic on canvas, 36 × 48 inches

Anthony Newton, “The Mushroom Hustle,” Mixed media on canvas, 24 x 18 inches

vermilion in handmade mushroom costume, 2022

Maria Bronkema, “A Boost,” 2022, Collage and acrylic on canvas, 11 × 14 inches 

Elizabeth Borisov, “Fantastik Family,” 2022, 11 × 14 inches 

Note: Fountain House Gallery and Studio provides an environment where artists living with mental illness can express their creative visions, exhibit their work, and challenge the stigma that surrounds mental illness.

Interview conducted and edited by Samantha Sabatino

Photo credits: 1-3, 5 & 6 Samantha Sabatino and 4 Donna Faiella

Released from prison in 2019 after serving over 28 years for a murder he did not commit, Warren Hynson is busily honing his innate artistic talents, while working as a case manager and advocating for incarcerated youth. Earlier this week, I met up with him in Washington, DC.

What is your earliest art memory?

I don’t remember exactly how old I was, but I remember always drawing pyramids when I was a child. They fascinated me – their structures, their lines. My mom asked, “Why are you always drawing the same thing?” I didn’t know. Maybe I was an Egyptian in a past life! Eventually I moved onto drawing cars.

What inspires you to keep creating art?

Knowing that I’m an artist. I have an irresistible urge to create. It is the only thing that keeps me going.

Have you any favorite artists?

Yes. Among them are Vincent Van Gogh, Jackson Pollack and Halin Flowers.

What about your cultural influences? What are your major ones?

My mother is Filipino. When I was in prison, I began to study Filipino history, and I began to reference it in my art. I’d include the Filipino flag and Lapu-Lapu, the legendary Filipino hero.

Is there a central or overall theme that ties your work together?

Love. It is a feeling I wish to transmit in all my work.

How has your artwork evolved in the past few years?

When I was in prison, my style was photorealistic. I used to earn money by painting portraits of the other inmates and their family members. I earned enough money, in fact, to hire a first-rate lawyer. As my art evolved, I began to synthesize abstract elements into it.

Are you generally satisfied with your work?

Yes! I love my artwork!

What is your favorite piece that you’ve created? 

My favorite piece is “She is Adored.” The subject is my wife. (Editors note: First featured image)

How long do you usually spend on a piece?

About three to four days. Three to four hours each day.

What percentage of your time is devoted to art? 

At least half of my working hours.

What are some of your other interests or passions?

I write poetry. I used to work out, but I haven’t lately. And I enjoy spending time with my wife.

Have you exhibited your work? If so, where?

Yes. I’ve exhibited in several spaces here in DC and in Maryland. Among them are: Touchstone Gallery, Rosenberg Gallery at the Maryland Institute College of Art, the Superfine Art Fair in DC and Homme Gallery in DC. My artwork is currently on view in Maryland Hall, a multi-disciplinary arts center in Annapolis, Maryland.

How important is the viewers’ response to you?

It is important. I want my viewers to feel the love I wish to convey in my art. Love is an action word!

What are your favorite media to work with?

Acrylic, oil pastels, spray paint and acrylic markers.

What is your main source of income?

My current job as a case manager.

How does your family feel about what you do?

At this point, everyone loves it.

Have you a formal art education?

Prison was my art school.

Where are you headed?

I’m in communication with a few galleries. I’d like to be represented by a gallery.

What do you see as the artist’s role in society?

To document and interpret one’s current times so that people in the future will better understand them. And to bring beauty into the world.

And your particular role?

To share my story and send a message to others that “no matter how dark it is, there is always a spark of light to focus on.”

Interview conducted and edited by Lois Stavsky; photos 1-6, courtesy Warren Hynson and 7 Lois Stavsky

On view through January 7 at Fleisher/Ollman in Philly is Leigh Bowery & A Bottle of 7UP, an endearing exhibition featuring dozens of drawings by six Philadelphia-based artists from ArtWorks, “the artist-focused arm of Community Integrated Services (CIS), a Philadelphia-area program that empowers people with disabilities through employment opportunities that foster self-sustainability, equality, and community.”

The drawings featured above were fashioned on paper by Woodley White, whose works — largely rendered in ink, colored pencils and graphite — reflect the artist’s fondness and talents for symmetry and precision. What follows are several more images of artworks that I captured while visiting the exhibition last week:

Also by Woodley White, “Untitled,” 2019, Crayon and graphite on paper

Chantal Bobo Peden, “Untitled,” 2021, Ink on paper

Also by Chantal Bobo Peden, Girlfriends, 2022, Ink on paper

Christian Hayes, 2022, “Untitled,” Graphite and ink on paper

Jennifer Williams, “Supermodels on the Red Carpet for Ralph Lauren,” 2021, Ink on paper

Anthony Coleman, “Homer Simpson,” 2022, Colored pencil and graphite on paper

Also by Anthony Coleman, “Leigh Bowery & A Bottle of 7 Up,” 2022, Colored pencil and graphite on paper

On view, too, are a delightful series of drawings fashioned with ink on paper by Bayaht Ham.

Located at 915 Spring Garden Street in Philadelphia, Fleisher/Ollman — currently closed for the holidays — will reopen on Tuesday, January 3. Hours are Tue–Fri: 11–6 and Sat: 12–5.

Photos of artworks by Lois Stavsky

Hundreds of new small works in a wide range of media and styles — all priced $100 and under — remain on view and on sale at Fountain House Gallery through December 28. The image pictured above, “I Hate a Hater,” was fashioned by the wonderfully expressive artist Anthony Newton. Several more works I captured on my recent visit to the gallery follow:

Urban calligraphic master DubbleX, “Love Over Money!” Mixed media

Multimedia artist Ariella Kadosh, “5,” Mixed media on canvas

Award-winning photographer Kelly Han, “Untitled 1 from Corey Series,” Archival fine art metallic inkjet paper

Multidisciplinary artist Boo Lynn Walsh, “Tiger Under Blanket,” Acrylic on cradled wood

Fiber artist Alyson Vega, Small Heart Grid, Mixed media around wood frame

Located at 702 Ninth Avenue at 48th Street in Manhattan, the gallery is open Tuesday – Saturday from 12pm to 6pm. Tomorrow, December 15, Fountain House Gallery will hold a special late night “Collector’s Eve,” showcasing hundreds of works from its annual “Small Works: $100 & Under” extravaganza! You can reserve a spot here.

Note: Fountain House Gallery and Studio provides an environment where artists living with mental illness can express their creative visions, exhibit their work, and challenge the stigma that surrounds mental illness.

Photos of images:  Lois Stavsky

Last month, while visiting HaMiffal — a key Jerusalem-based art and cultural center — I came upon the distinctly engaging and authentic aesthetic of the young Arabic-Israeli artist Shade Twafra. Eager to find out a bit about him, I posed several questions to him.

When did you first begin drawing?

I first started to draw when I was in kindergarten. I especially loved drawing shapes. I was four years old.

What is your earliest art-related memory?

When I was five years old, I drew a bird. It was a wonderful feeling.

What inspired you to keep creating art?

Due to a somewhat difficult health condition, I spent a moderate amount of time in the hospital’s children’s ward. While there, both my mother and the hospital staff encouraged me to keep making art.

Is there a central or overall theme that ties your work together?

The yearning for joy, hope and freedom. That’s why there is a bird in just about every piece that I create. It has accompanied me since my childhood. And characters and animals, in general, intrigue me — real ones and imaginary ones. All of my characters reject violence in all its forms.

How has your artwork evolved in the past several years?

My styles keep evolving, expanding and they sometimes merge. I don’t restrict myself to any one style, although my work is often classified as “abstract expressionism” and “impressionism.”

Have you any favorite artists?

Yes. Among them are: Henri Matisse, Vincent van Gogh and Pablo Picasso.

Are you generally satisfied with your work?

Yes!

Have you a favorite piece that you’ve created?

My favorite work visually envisions the early marriages of three girls. It was exhibited at the Janco-Dada Museum in Ein Hod.

How much time do you generally spend on a piece?

That depends on the topic. The average is about three days. I don’t tend to work on a single piece at any one time.

What media do you especially like to work with?

My favorite media are black coal, colored charcoal, ink and acrylic. I also like working with unconventional materials like black coffee.

What percentage of your time is devoted to art?

About 80%

What are some of your other interests or hobbies?

I love cooking popular Arabic dishes and, sometimes, sweets. And I love to read. Favorites include: the late Egyptian Nobel Prize winner Naguib Mahfouz; the Syrian poet Nizar Qabbani, and the late Palestinian poet Mahmoud Darwish. I also, on occasion, like reading about art.

I discovered your work in Jerusalem at HaMiffal. Where else have you shown your work?

In addition to my exhibition at Janco-Dada Museum in Ein Hod, I’ve had solo exhibits at: Almacén in Jaffa; Ibdaa Gallery in  Kfar Yasif, and at the Carmiel Municipality Gallery in the Galilee. I’ve also participated in close to 20 group exhibitions. Recent ones include: “Square One” in the Lotan Gallery in Jaffa; “The Spirit of Things” at the N.D. Gallery in Ramat Gan; the Multidisciplinary Art Festival at the Pyramida in Wadi Salib, Haifa and The Hybrid Art Fair in Madrid.

How important is the viewers’ response to you? Is it important that they like your work?

Yes, I care about how others feel about my art works. I want to hear their response, even if it’s negative.

How does your family feel about your passion for art?

My family feels good about it!

Have you had a formal art education?

Yes, I hold a Bachelor’s Degree in Art from Sakhnin College in the Galilee, and I graduated from Tiltan College of Design and Visual Communications in Haifa. But I do feel that most of my talent has been with me since my childhood.

Where are you headed?

To the wider world!

What do you see as the role of the artist in society? And your personal role?

The artist’s role is to inspire people to hold onto their hopes and dreams, and my personal role is to encourage those who have talent to keep achieving.

Interview conducted and edited for clarity by Lois Stavsky; photo credits: 1 Lois Stavsky, 2-6 courtesy of the artist