The delightfully capitvating collage featured above, “Let’s Move on Little Sis,” was crafted by self-taught artist Della Wells. What follows are several more images of folks on the move seen in a range of settings from alternative spaces to art fairs.

NYC-based Ghanian self-taught artist Tijay Mohammed, “Ma LIl Brother,” 2021, Paper collage

Living Museum painter Nyla Isaac, “Untitled,” 2025, Acrylic on canvas

The late Canadian self-taught artist Matthew Wong, “Untitled,” 2016, Acrylic on paper

The late self-taught Tierra del Sol artist Helen Rae, “May 10, 2019,” 2019, Colored pencil and graphite on paper

NYC-based Japanese multidisciplinary artist Yusuke Okada, “Good Morning,” 2024, Acrylic on canvas

Photos of artworks: 1, 3-6 Lois Stavsky; 2 Tara Murray

In 1972, a small group of Aboriginal men in Papunya, located in Australia’s Central Desert, founded Papunya Tula Artists Pty Ltd., the first Aboriginal-owned arts enterprise in the country. Their innovative explorations of color, line, form and space have since earned them global recognition and acclaim. Celebrating five decades of the Papunya Tula Artists, NYU’s Grey Art Museum is showcasing close to 120 paintings by Indigenous Australian artists until this Saturday, April 11. 

Featured above is “Karilywarra,” rendered with synthetic polymer paint on canvas in 2010, by the late Naata Nungurrayi, a leading woman in the Western Desert Art Movement. After years of contributing to men’s artworks, she began painting in her own alluringly distinctive style in the mid 1990’s. Several more images of artworks featured in this significant and stunning exhibition follow:

The late, hugely acclaimed Indigenous painter Mick Namarari Tjapaltjarri, “Mitukatjirri,” 1971–72, Synthetic polymer paint on composition board

The late senior Papunya painter Long Jack Phillipus Tjakamarra, “Massacre and Vengeance,” 1973, Synthetic polymer paint on composition board

Papunya Tula artist Bobby West Tjupurrula, known for his distinctly mesmerizing signature style–“Wilkinkarra,” 2013, Synthetic polymer paint on canvas

The late Papunya Tula Anmatyer painter Tim Leura Tjapaltjarri, “The Honey Ant Story,” 1972, Synthetic polymer/powder paint on composition board

The late influential Papunya artist Simon Tjakamarra, “Tingarri Camp at Pilintjinya,” 1988, Synthetic polymer paint on canvas

The late Papunya Tula artist Shorty Lungkarta Tjungurrayi, “Classic Pintupi Water Dreaming,” c. 1972, Synthetic polymer/powder paint on composition board

Located at 18 Cooper Square, between E 5th Street and St Marks Place, the Grey Art Museum is open: Tuesday, Thursday and Friday: 11 am–6 pm; Wednesday: 11 am–8 pm, and Satuday: 11 am–5 pm. Irriṯitja Kuwarri Tjungu: Contemporary Aboriginal Painting from the Australian Desert remains on view until April 11.

Photos of artworks: Tara Murray

Curated by Fountain House Studio Director Karen Gormandy and multidisciplinary artist Issa Ibrahim in conjunction with LIC Arts, Yas Queen! presents a wonderfully eclectic range of artworks across varied media in celebration of Women’s History Month. While some of the artists are self-taught, others hold advanced degrees in fine arts. All delight and provoke.

Featured above is “Augusta Savage in Her Words,” rendered with pencil and red pen on paper by the Queens-based Japanese multidisciplinary artist Ayakoh Furukawa-Leonart. Several more works from Yas Queen! follow:

Venezuelan artist Ines Ruiz, “Double standard,” 2025, Multimedia on paper

Fountain House Gallery multimedia artists Vermillion & Angela Rogers, “Girl About Town,” 2025, Transfer image on silk gown

Artist and educator Eirene Archolekas, “Gypsy,” 2025, Cyanotype with gold paint on watercolor paper

Fountain House Gallery multidisciplinary self-taught artist Susan Spangenberg, Notorious RBG Healing Doll, 2026, Mixed media, hand-sewn

Multimedia artist Samm Cohen, “Womynhood,” 2015, Oil on glass over ink printed words

Fountain House Gallery self-taught artist Solange Singer, “Victoria,” 2026, Acrylic, crochet, and 3D embellishments

Yas Queen! remains on view at The Factory LIC — located at 30-30 47th Avenue in Long Island City — until April 15. Gallery hours are: Thursday – Saturday, 10am – 6pm .

Photos of images: Lois Stavsky

Working from her studio at the Living Museum in Queens, self-taught artist Paula Brooks creates sumptuous paintings, many reflecting nature’s rhythmic, free-flowing energy — a metaphor for our own humanity.

On view through March 7 at Open Studio is Paula’s first solo exhibition People Are Flowers — an endearing selection of her alluring paintings. Featured above is “The Birds Sing” fashioned in 2022 with acrylic on canvas. Several more works from People Are Flowers follow:

“Untitled,” 2019, Acrylic on canvas

“Untitled,” 2025, Acrylic on canvas

“Untitled,” 2019, Acrylic on canvas

“Untitled,” 2015, Acrylic on canvas

“Untitled,” 2019, Acrylic on canvas

Founded by Rachel Carle Cohen of Shelter and David Fierman of FIERMAN, Open Studio — located at 127 Henry Street in Manhattan — is open Thursday-Saturday, 12-6 pm.

Photos of Paula Brooks’ paintings: Tara Murray

Showcasing a tantalizing array of artwork incorporating rescued, upcycled or discarded materials, Re/Invention continues at Fountain House Gallery until March 4. The hugely inventive image featured above, Beethoven Healing Doll, was fashioned in 2026 by the self-taught multidisciplinary artist Susan Spangenberg with acrylic, chalk, charcoal, colored pencil, marker and yarn on unstretched canvas. Several more images of artworks currently on view at Fountain House Gallery follow.

Self-taught mixed media artist and painter Angela Rogers, “Lady Sings the Blues,” 2023, Violin, string, yarn, feathers, trim, jewelry & recycled material

Self-taught artist Nicolaus Myers, Close-up from “Anomie,” 2025, Glass and wood

Brooklyn-based artist Michael Kronenberg, “Mementos,” 2025, Acrylic paint, spray paint, & ink on steel plate

Queens-based multimedia artist Tanya Nickolan, “Wire Dream Catcher,” 2025, Wire

Puerto Rico-born Aracelis Rivera, “Whoop di Loop Carpet,” 2000, Acrylic on carpet

Romania-born multidisciplinary artist and exhibition curator Ella Veres aka Vermillion, Brumhilde, 2023, and to its right, Edeltraud, 2023, Mosaic

Conceived and curated by Fountain House artist Vermillion — in partnership with Tara Sansone, Executive Director, Materials for the Arts/Friends of Materials for the Arts, and John Cloud Kaiser, Gallery Director and Education Director, Materials for the Arts — “Re/Invention” remains on view at Fountain House Gallery until March 4. Located at 702 Ninth Avenue at 48th Street in Manhattan, Fountain House Gallery hours are: Tuesday 12 – 6 p.m., Wednesday 12 – 5 p.m., Thursday and Friday 12 – 6 p.m. and Saturday 1 – 7 p.m.

Note: Fountain House Gallery and Studio provides an environment where artists living with mental illness can express their creative visions, exhibit their work, and challenge the stigma that surrounds mental illness.

Photos of images: Lois Stavsky

Featured above in our ongoing series showcasing couples is “The Wedding,” a mixed media work fashioned in 2025 by the Miami-based, Hondurus-born self-taught artist Emilio Martinez. Several more images of couples in a range of styles by self-taught artists follow:

Self-taught Brazilian painter Waldomiro de Deus, “Menina no Balanço (Girl On Swing),” 1970, Oil on canvas

The late Brazilian self-taught folk artist, José Antônio da Silva, “Novios (Newlyweds).” 1984, Oil on canvas

Maryland native, self-taught artist Marcus Brutus, “Meet Me on the Moon,” 2025, Acrylis on canvas

London-based Irish self-taught artist Sarah Theresa Lee, “Modern Love, 2024, Acrylic on canvas panel mounted on wood

The late self-taught West Coast-based artist Helen Rae, “Untitled,” 2018, Color pencil and graphite on paper

Photos of images: Lois Stavsky

On view at Fountain House Gallery through December 24 is the annual “Small Works: $100 & Under” featuring dozens of enticing artworks in a wide range of styles and media. The image featured above,”Buildings Descending” was fashioned by NYC-born Puerto Rican artist Alyson Vega with recycled fabric and fiber collage on wood block. Several more images that we captured yesterday while visiting the gallery follow:

Self-taught artist Vincent Lamberti, “Improv #4,” Acrylic on canvas

Peruvian native George Peñón Cassallo, “Traffic,” Acrylic on wood

Manhattan-based DubbleX, “Dan the Man,” Marker fabric spray on canvas

Self-taught artist Nicolaus Myers, “Chose Few,” Watercolors and permanent marker on card stoc

Multidisciplinary artist Mx. Je’Jae C. Mizrahi, “Boo-hoo,” Mixed media

“Small Works: $100 & Under” remains on view through December 24 at 702 Ninth Avenue at 48th Street in Manhattan. Fountain House Gallery hours are: Tuesday 12 – 6 p.m., Wednesday 12 – 5 p.m., Thursday and Friday 12 – 6 p.m. and Saturday 1 – 7 p.m.

Note: Fountain House Gallery and Studio provides an environment where artists living with mental illness can express their creative visions, exhibit their work, and challenge the stigma that surrounds mental illness.

Photos of artworks: Tara Murray and Lois Stavsky

Featuring artworks by over 30 artists and collectives from across all nine countries of the Amazon: Bolivia, Brazil, Colombia, Ecuador, French Guiana, Guyana, Peru, Suriname and Venezuela, Amazonia Açu continues at the Americas Society through April 18, 2025. Under the leadership of curatorial advisor Keyna Eleison and co-curated by a committee of representatives from all nine countries, the exhibition provides a richly insightful and visually seductive glimpse into this region, particularly its ecological and social concerns.

The entrancing image pictured above, “El Baile de los Puca-bufeos,” was painted with oil on canvas in 2009 by the late self-taught Peruvian artist Pablo Amaringo. What follows are several more images of artworks captured on my recent visit to the Americas Society on Manhattan’s Upper East Side:

Peruvian self-taught artist and indigenous activist Santiago Yahuarcani, “Amazonia II,” 2022, Natural dyes and acrylic on llanchama cortex — this particular image focuses on the rubber extraction industry‘s exploitation of the local population.

Brazilian mixed-media artist PV Dias, “Interior de uma Casa (Interior of a House)” from the series “Rasura (Erasure),” 2021, Digital painting on photograph printed on cotton paper

Guyanese artist Bernadette Indira Persaud, “Rainforest 6: ‘the edge of seasons’ (taken from the poetry of Lucille Clifton) from the series “Rainforest,” 2013, Acrylic on canvas

Ecuadorian multidisciplinary artist Angélica Alomoto, “Cuatro Caminos (Four Paths),” 2024, Acrylic and rubber sap on canvas, colored ceramic and water

Bolivian textile artist Claudia Opimí Vaca, “Bajo el Toborochi (Under the Toborochi),” 2025, Cotton fabric embroidered using an appliqué technique from the Tajibo community of the Bolivian Amazon, Close-up

Located at 680 Park Avenue on Manhattan’s Upper East Side, the galleries at the Americas Society can be viewed Wednesday to Saturday, 11 am to 6 pm.

Photos of artworks: Lois Stavsky

Diagnosed with AIDS in 1997, Brooklyn-based self-taught artist Reverend Joyce McDonald had for decades battled drug addiction, sexual and domestic violence and suicidal depression. Following her AIDS diagnosis, an art therapy program at the Jewish Board of Family Services introduced her to clay-making. Soon after, she was connected to Visual AIDS, a community of artists living with HIV. Since, she has created a multitude of largely autobiographical poignant and heartfelt sculptures of figures reflecting survival, love and healing.

Curated by Kyle Croft, Executive Director of Visual AIDS, in collaboration with the Bronx Museum, Ministry: Reverend Joyce McDonald, the artist’s first museum exhibition, is a testament to Reverend Joyce McDonald‘s resilience, spirituality and humanity, along with her intuitive art-making skills.

The stirring image featured above, “Covered with Love,” was fashioned in 2003 with acrylic and fabric on air-dry clay. Several more images showcased in this remarkable exhibition follow:

“Safe in His Arms,” 2021, Acrylic, paper towel, glitter, and varnish on air-dry clay

“Beauty in the Midst (Outer Strength)” 2023, Oil on glazed ceramic

“Peace,” 2004 Clay, wood frame, fabric, Mod Podge, and fabric paint on canvas board

“Priceless Parent Protection,” 2020 Acrylic, paper, and chain on air-dry clay

“My Dad, My Hero (Willie McDonald),” 1998, House paint, Mod Podge on air-dry clay, and artist’s father’s shirt and camera

“Untitled,” 2021, Glass beads and acrylic on glazed ceramic on found ceramic

Information on programs related to the exhibition, along with opportunities to create art, can be found here. Also available at no cost in the museum’s lobby is a delightful family guide to the exhibition brimming with information and suggested activities.

Located at 1040 Grand Concourse, the Bronx Museum is open Wednesday through Sunday, 11 a.m. to 6 p.m. Admission is always free.

Photos by Lois Stavsky and Tara Murray