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Working, Part II: Winfred Rembert, Manuel Hernandez Acevedo, Maria Laura Bratoz and Sénèque Obin

Cracking Rocks, the image featured above, was fashioned with dye on tooled and carved leather in 2011 by the late self-taught Southern African-American artist Winfred Rembert. Seen earlier this year at Fort Gansevoort in Manhattan’s Meatpacking District, it is one of his many paintings documenting the artist’s experiences as a survivor of senseless brutality and overt racism.

Several more images — all by largely self-taught artists — in this second of ART BreakOUTs ongoing series, Working, follow:

Also by Winfred Rembert, “The Gammages (Patty’s House),” 2005, Dye on carved and tooled leather

The late Puerto-Rican painter and printmaker Manuel Hernandez Acevedo,”El Patio de Mi Casa,” 1974, Oil on canvas — as seen in group exhibition “Popular Painters & Other Visionaries” at El Museo in East Harlem

Argentine architect and self-taught painter Maria Laura Bratoz, “The New Employee,” 2007, Acrylic on canvas — as seen in group exhibition at GINA – Gallery of International Naïve Art in Tel Aviv

The late Haitian painter Sénèque Obin, “Marché Clugny,” c. 1960’s, Oil on Masonite — as seen in group exhibition “Popular Painters & Other Visionaries” at El Museo in East Harlem

Photos of images: Lois Stavsky